Showing posts with label Amy Winehouse. Show all posts
Showing posts with label Amy Winehouse. Show all posts

Friday, December 17, 2010

Rolling in the deep, tears are gonna fall.

When Britain's soulful Adele first made it across the Atlantic a few years back it was easy to lose her in the shadow of the Amy Winehouse's invasion of the airwaves.

I found it hard not to compare the two singers, and frankly, for me, Amy Winehouse could do no wrong in that period before she spiralled into tabloid crack-whore infamy.

So it's refreshing to be caught off guard now by Rolling in the Deep, Adele's sorrowful yet thumping lead single off her new album, 21. A little melancholy suits her, along with a gorgeous video that proves you don't necessarily need pyrotechnics, when you got the pipes to sell the song all on its own.


Awesome.

Amy who?

Thursday, June 17, 2010

Un. Deux. Trois. No one ever does it like that anymore!

Last month I wondered where Mark Ronson was heading with his little 8-Bit Circuit Breaker teaser, and now we have a broader hint.

If you didn't get the message that he was leaving his big-band Amy-Winehouse-producer days behind, then the lead single off his upcoming album leaves no doubt.

Bang Bang Bang trades on the electro wave, but with a sly global coolness that doesn't really sound like everything else out there right now. We'll see how radio warms to this new groove, but I think this collaboration with rapper Q-Tip and Yeah Yeah Yeah's keyboardist MNDR is absolutely fresh and brilliant!



Je te plumerai la tête!

Tuesday, May 18, 2010

8-bit Circuit Breaker

If you've been following this little corner of my world for a while you know I'm a bit obsessed with all that is Mark Ronson. I raved about his last album, and we can all thank him for much of what is good in this world about Amy Winehouse.

So it's with some anticipation that I await the London DJ/Producer's new album Record Collection, due out this summer.

The teaser is out, and with Circuit Breaker, to say the least, he's taking retro in a whole new direction:



Let's see where this leads...

Friday, February 22, 2008

Man in a Blue Suit

Just in case you haven't gotten the point how wonderful Mark Ronson's music was last year, here is a small recap from this week's Brit Awards:

Sunday, February 10, 2008

Rehab at the Grammy's

She may have gone to rehab, but you can't keep Amy Winehouse down. Amidst the big yawn they called tonight's Grammy Awards, my crack-habit darling gave notice that she may be no good, but she is far from out.

It was nothing short of electrifying, seeing her perform nervously and defiantly from London. Her caberet set defined the year in music. In a year of pop-star meltdowns, she stood her ground and let her voice speak for itself, remarkably.

Cheers to Mark Ronson too for getting his own props for her success.

Other highlights from the typically sluggish show:

Alicia Keys really needs to loosen up more often. I raved about her smash performance at the MTV Music awards, only to be bored to tears by her bland, carefully crafted videos. She killed it again tonight, with a little help from John Mayer.

Beyonce is quite the consummate entertainer, but even she seemed nervous next to Tina Turner, and for good reason. Retirement may have slowed Tina down, but her natural magnetism is apparently endless. It was great to see her back for another roll through the hits.

Daft Punk actually showed up to enable the continued desecration of one of their best songs.

I still love ya Rihanna, but were you really going for the Project Runway corn-husk dress look?

Otherwise, it was yet another bloated mess of a Grammy ceremony. I'm sure Herbie Hancock really jazzed up his Joni Mitchell interpretations, but, seriously, Album of the Year?

Call it a consolation ribbon, I guess, because along with all the other big awards, Amy Winehouse stole the show.

Thursday, January 24, 2008

Post-Rehab Kosher Kisses?

With Amy Winehouse finally in some sort of rehab (yes, yes, yes) there may yet be a welcome light at the end of the seriously talented crackhead's tunnel of doom.


Leave it to Mark Ronson to shine a ray of hope that her downward spiral may yet end happily.

Even stranger, it could involve some hip Hannukkah tunes!

If her big recent collaborator thinks the new tabloid queen still has magic in her lungs, I'm intrigued.

Sunday, December 16, 2007

The best albums of 2007

As promised, here is the first Everything is Pop posting from Nelse. This is a fantastic addition to the blog. I look forward to seeing what comes next! Welcome to RandomTope!

I never did get around to creating my own music blog this year, like I had hoped, but here is my first stab at the topic.

For the most part the end of the year was rounded out with some really weak albums. However, there were some highlights that are worth mentioning from the past year.

My picks for the top 10 albums of 2007:

Amy Winehouse “Back to Black"

Disregard all the drama, the Britney comparisons, the scars, the boyfriend, the crap performances, the drunken photos and take a good listen to this album again. This is absolutely my number one album for the year. The music soars and I am mesmerized by Amy’s voice. Here’s to hoping she can sort herself out and deliver another knock-out album like this one!

Mika "Life in Cartoon Motion"

Is he straight, is he gay? All I say is, “Who cares?” As long as the music gets this good, does it really matter? Mika exploded onto the overseas pop charts with the songs like Love Today, Grace Kelly, Big Girls and Happy Ending. Unfortunately, he didn’t really hit over here in the U.S. I had a feeling most of us wouldn’t get it. If you aren’t afraid to hear a great pop album with a guy that sings in a falsetto voice through half the album then you might actually love it. A little bit of Freddie Mercury and more bubble-gum pop.

Lily Allen “Alright, Still”

Lily delivers some sharp lyrics and a sarcasm that caught me completely off-guard. I would hate to get in tangle with her on the street. Along with Amy Winehouse, this was another Mark Ronson produced gem that kept me rocking in 2007. Not to mention Lily has a powerhouse singing voice that is perfect on record or live.

Roisin Murphy “Overpowered”

This album will make you want to move with its massive bass lines. She's a lesser-known artist here in the US, but you may remember her previous efforts with a group called Moloko. Anyone remember the tracks “Sing it Back”, “The Time is Now” or “Fun for Me?" Well, Roisin has managed, at least in my opinion, to overpower those tracks with her second solo album. For this record she goes back to her dance-pop roots to deliver an album that has been on heavy rotation on my iPod.

Just Jack “Overtones”

Every song on Jack’s second album is as listenable as his first album “The Outer Marker”. In the same vein as Lily Allen, Just Jack delivers some very cool grooves and clever lyrics. The song “Starz in Their Eyes” sounds like an ode to Britney. Also, be sure to check out the track “I Talk Too Much,” with guest vocals from Kylie.

Mark Ronson “Version”

After enjoying two of my favorite albums from this producer, Amy Winehouse and Lily Allen, I certainly had to check out his latest offering. Not really a solo album, but a full-on collaboration with some great artists and soulful beats. Mark knows how to let the artists shine. The lead single, "Stop Me," from Daniel Merriwether turns a classic Smiths songs into a funky summer groove. Don’t miss out on the “Toxic” remake or Lily’s cover of the Kaiser Chiefs' “Oh My God”.

The Killers “Sawdust”

Although not completely a new album it does pack in some amazing unreleased tracks and b-sides. For good measure they added two new tracks, a cover of Joy Division’s “Shadowplay” and a Lou Reed collaboration, “Tranquilize”. The one gem tacked-on to the end is Stuart Price's reworked version of “Mr. Brightside”. This remix is probably one of my favorite remixes of all time.

Annie Lennox “Songs of Mass Destruction”

The Diva is back with some songs that certainly rival her debut album. Every track is sung with the raw power and emotion you would come to expect from Annie Lennox. The good news is that the album is not as somber as her last record, "Bare," and has kept me captive since its release. I think “Dark Road” was the wrong choice for the lead single here in the U.S. as there are so many other energetic tracks on the disc.

Foo Fighters “Echoes, Silence, Patience & Grace"

Dave Grohl and team have no problem delivering consistently strong albums and this was no exception. I didn’t know much about the band, but I found myself re-discovering their back catalogue when this album came out. Some great rock tracks are on here that should be blasted from the car stereo after a rough day at the office. Oh, and the videos are as memorable as ever! Be sure to check out the campy “Long Road to Ruin” clip.

Kylie Minogue "X"

Unfortunately, this one will not see a U.S. release until 2008. If you are willing to drop a few extra bucks for the import version you won’t be disappointed or better yet, just download it online. I am already in love! This was a last minute must-add to my best of 2007. Welcome back Kylie… we’ve missed you!

Be sure to check out these other 2007 contenders:

Common "Finding Forever"
Seal "System"
The White Stripes "Icky Thump"
Alicia Keyes "As I Am"
Belanova "Fantasia Pop"
Metro Station "Metro Station"

Tuesday, August 21, 2007

With a taste of poison paradise I'm addicted to you

I love how long unexpected hours on a plane with my ipod can bring music into focus. For instance, the new Natasha Bedingfeld album that we were so excited to find in Vietnam curiously finds it's tracks quickly skipped now.

On the other hand, I'm transfixed by Mark Ronson's album, Version -- to the point that I keep searching out it's tracks.

Ronson's one of those so-current hot new producers, responsible for Europop gems by Amy Winehouse, Lily Allen and Robbie Williams. He also has his turntables tuned to more urban beats from which I usually veer away.

The end result of his varied influences is this sublime album of subtly freshened cover songs.

His devious take on Britney Spears' Toxic, for instance, has officially thrown me for a loop. Normally I'd hate some of the stuff he's mashed up in there, but I can't get enough of it.

Luckily for everyone, he's now getting a push here stateside. VH1 and MTV have been running Stop Me for a bit now, and the Amy Winehouse collaboration, Valerie, is on its way as well.

Cheers to Mark Ronson for this rousing effort. It's a brilliant mix of styles and sounds that has me completely hooked.