I was blown away at the Museum of Modern Art in New York City this weekend.The Martin Puryear retrospective was a surprising blast of fresh modern sculpture I had never seen. In my mind it far overshadowed the much more packed Georges Seurat: The Drawings exhibit next door.
Welcomed into the MOMA by a dramatic wooden ladder rising high above the main atrium, I already knew I was in for something special upstairs. The atrium installation was a tease, an amuse bouche, for the bold exhibit they put together encompassing the career of this enormous modern talent.A master at working with natural materials, he makes wood deftly turn or curve in unexpected and enthralling ways. His mixture of materials clearly show a broad palette of global influences that he chooses carefully to convey feeling and spacial interaction.
I could have spent hours that I did not have that afternoon just going back to individual pieces and finding new surprises in them.The beauty of a world-class museum like the MOMA is that in one afternoon I could go from sharing with my little brother the intricacies and depth of a Jackson Pollack splatter to discovering for myself a new -- and just as impressive -- sculptor that achieves much the same with natural, hand-manipulated elements.
For more on Martin Puryear, check out this PBS profile on him HERE.
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